Choreographers & Dancers

Nureyev: The Life

Rudolf Nureyev had it all: beauty, genius, charm, passion, and sex appeal. No other dancer of our time has generated the same excitement, for both men and women, on or off the stage. With Nureyev: The Life, Julie Kavanagh shows how his intense drive and passion for dance propelled him from a poor, Tatar-peasant background to the most sophisticated circles of London, Paris, and New York. His dramatic defection to the West in l961 created a Cold War crisis and made him an instant celebrity, but this was just the beginning. Nureyev spent the rest of his life breaking barriers: reinventing male technique, “crashing the gates” of modern dance, iconoclastically updating the most hallowed classics, and making dance history by partnering England’s prima ballerina assoluta, Margot Fonteyn--a woman twice his age. He danced for almost all the major choreographers--Frederick Ashton, George Balanchine, Kenneth MacMillan, Jerome Robbins, Maurice Béjart, Roland Petit--his main motive, he claimed, for having left the Kirov. But Nureyev also made it his mission to stage Russia’s full-length masterpieces in the West. His highly personal productions of Swan Lake, The Nutcracker, Raymonda, Romeo and Juliet, and La Bayadère are the mainstays of the Paris Opéra Ballet repertory to this day. An inspirational director and teacher, Nureyev was a Diaghilev-like mentor to young protégés across the globe--from Karen Kain and Monica Mason (now directors themselves), to Sylvie Guillem, Elisabeth Platel, Laurent Hilaire and Kenneth Greve.

Sex, as much as dance, was a driving force for Nureyev. From his first secret liaison in Russia to his tempestuous relationship with the great Danish dancer Erik Bruhn, we see not only Nureyev’s notorious homosexual history unfold, but also learn of his profound effect on women--whether a Sixties wild child or Jackie Kennedy and Lee Radziwill or the aging Marlene Dietrich. Among the first victims of AIDS, Nureyev was diagnosed HIV positive in 1984 but defied the disease for nearly a decade, dancing, directing the Paris Opéra Ballet, choreographing, and even beginning a new career as a conductor. Still making plans for the future, Nureyev finally succumbed and died in January l993.

Drawing on previously undisclosed letters, diaries, home-movie footage, interviews with Nureyev’s inner circle, and her own dance background, Julie Kavanagh gives the most intimate, revealing, and dramatic picture we have ever had of this dazzling, complex figure.

In Balanchine's Company: A Dancer's Memoir

During her twelve years with Ballet Society and the New York City Ballet, Barbara Milberg worked under the direction of George Balanchine. She rose from corps de ballet to soloist, danced leading roles in Swan Lake and Illuminations, and performed in celebrated world premieres. In this observant and poignant memoir, she shares her recollections of Balanchine, his craft and his values, and lends insight into surprising aspects of his personality. Fisher gives readers a rare glimpse inside Balanchine's artistry, including vivid accounts of the makings of such important ballets as Schoenberg's Opus 34, AGON, and the world-famous Nutcracker. Told through the eyes of a young dancer in what seemed a truly magical place and time, In Balanchine's Company is ideal for ballet fans young and old. Rich in anecdote, insight, and humor, it offers a unique perspective on one of the twentieth century's cultural giants.

Ginger: My Story

Alvin Ailey Dance Moves!: A New Way to Exercise

Alvin Ailey American Dance Theater is among the premier modern dance companies in the world. One of the hallmarks of an Ailey-trained dancer is a supremely versatile, strong, beautifully toned body-the result of deep immersion in an array of dance and movement techniques. Now there's a dynamic exercise book that brings those benefits home.

Alvin Ailey Dance Moves! draws from the many disciplines taught at The Ailey School-from classical ballet to West African and Indian dance to yoga. Created for people of all abilities, the program helps to improve posture and increase strength, stamina, flexibility, and muscle tone, relieve aches and pains, and support relaxation and well-being.

Featuring leading dancers from the Alvin Ailey American Dance Theater, Ailey II, and students from The Ailey School in stunning color photographs paired with lucid, step-by-step instructions, the program is easy to learn and easy to stick with. Alvin Ailey Dance Moves! is for anyone who loves dance, and for everyone who is committed to personal health and wellness.

Martha Graham: A Dancer's Life

Martha Graham (1894-1991) referred to her dancers as "acrobats of God," but in truth it was she who seemed divinely inspired. Graham was a dancer, choreographer, and teacher for more than 70 years, and during that time she changed the landscape of dance forever. An unlikely candidate for a dance diva, she was shorter and more muscular than the principal ballet dancers of her time and she didn't start dancing until age 22--a flower long past her bloom in the eyes of most choreographers. Nonetheless, Graham managed to turn the dance world on its tutu with her innovative approach to movement and teaching and her clear understanding that feelings are not always graceful, but always intense.

Russell Freedman, who won the Newbery Medal in 1988 for Lincoln: A Photobiography and Newbery Honors for The Wright Brothers: How They Invented the Airplane (1992) and Eleanor Roosevelt: A Life of Discovery (1994), has once again crafted a beautiful, intriguing biography. He traces Graham's remarkable life from a childhood filled with imaginative play, to her decision to attend dance school instead of college, through her departure from the Broadway Follies to pursue her own dance style, and onward through her late life, when she continued teaching and creating distinctive performance pieces. The fascinating biography is complemented by exquisite black-and-white photographs that reveal Graham's sense of beauty and her remarkable ability to translate pure, raw emotions into expressive movement. Freedman's lovely tribute makes us fully believe Graham when she says, "I did not choose to be a dancer, I was chosen." (Young Adult/Adult) --Brangien Davis

Martha Graham, the American dancer, teacher, and choreographer, revolutionized the world of modern dance. She possessed a great gift for revealing emotion through dance, expressing beliefs and telling stories in an utterly new way. Newbery Medalist Russell Freedman documents Martha Graham's life from her birth in 1894 to her final dance performance at the age of seventy-five and continued career as a choreographer until her death in 1991. Graham's own recollections as well as those of her dancers, students, friends, and lovers reveal Graham's unwavering dedication, her extraordinary sense of artistry, and the fierce intensity that left an impression on all who saw her perform. Original research based on interviews and a remarkable collection of photographs not widely reproduced give this biography a rare and unparalleled depth. Includes notes,a bibliography, and an index.

Dancing on My Grave

Who Is Maria Tallchief? (Who Was...?)

Born in 1925, Maria Tallchief spent part of her childhood on an Osage reservation in Oklahoma. With the support of her family and world-renowned choreographer George Balanchine, she rose to the top of her art form to become America's first prima ballerina. Black-and-white illustrations provide visual sidebars to the history of ballet while taking readers through the life of this amazing dancer.

Illustrated by Val Paul Taylor.

All His Jazz: The Life And Death Of Bob Fosse

Chance and Circumstance: Twenty Years with Cage and Cunningham

The long-awaited memoir from one of the most celebrated modern dancers of the past fifty years: the story of her own remarkable career, of the formative years of the Merce Cunningham Dance Company, and of the two brilliant, iconoclastic, and forward-thinking artists at its center—Merce Cunningham and John Cage.

From its inception in the l950s until her departure in the l970s, Carolyn Brown was a major dancer in the Cunningham company and part of the vibrant artistic community of downtown New York City out of which it grew. She writes about embarking on her career with Cunningham at a time when he was a celebrated performer but a virtually unknown choreographer. She describes the heady exhilaration—and dire financial straits—of the company’s early days, when composer Cage was musical director and Robert Rauschenberg designed lighting, sets and costumes; and of the struggle for acceptance of their controversial, avant-garde dance. With unique insight, she explores Cunningham’s technique, choreography, and experimentation with compositional procedures influenced by Cage. And she probes the personalities of these two men: the reticent, moody, often secretive Cunningham, and the effusive, fun-loving, enthusiastic Cage.

Chance and Circumstance is an intimate chronicle of a crucial era in modern dance, and a revelation of the intersection of the worlds of art, music, dance, and theater that is Merce Cunningham’s extraordinary hallmark.

My Life

Fabulous is the only adjective that comes close to doing justice to Isadora Duncan (1878-1927). Her awesomely self-assured autobiography depicts a woman who while still in her teens tells an eminent theatrical manager (from whom she desperately needs a job), "I have discovered the art that has been lost for two thousand years.... I bring you the dance." In Duncan's rendering of her life, composers fling themselves at the piano and compose new music for her on the spot. Men pine for her love (the book's sexual frankness, while hardly startling today, was considered quite scandalous in 1927). And the poor mortals who can never understand her need to be free can at least applaud wildly at her concerts. Duncan and her siblings sleep in a bare Parisian attic, then dance barefoot through the Luxembourg Gardens. They travel to Greece to worship "in the Sacred Land of Hellas," where they build their very own temple. Duncan is capable of seeing the humor in her rhapsodic immersion in art, but we don't really want her to be realistic and self-deprecating like ordinary mortals. It's her divine passion, her supreme confidence in her own genius that make My Life such fun to read. --Wendy Smith

1927. An account of her life in her own words, Isadora Duncan's life is one containing the most illustrative content and value. She thought the story of her life was "fitted for the pen of a Cervantes, or Casanova." She made the purest attempt at the life of adventure. She states her art as a dancer is just an effort to express the truth of her Being in gesture and movement.