Balanchine, George

In Balanchine's Company: A Dancer's Memoir

During her twelve years with Ballet Society and the New York City Ballet, Barbara Milberg worked under the direction of George Balanchine. She rose from corps de ballet to soloist, danced leading roles in Swan Lake and Illuminations, and performed in celebrated world premieres. In this observant and poignant memoir, she shares her recollections of Balanchine, his craft and his values, and lends insight into surprising aspects of his personality. Fisher gives readers a rare glimpse inside Balanchine's artistry, including vivid accounts of the makings of such important ballets as Schoenberg's Opus 34, AGON, and the world-famous Nutcracker. Told through the eyes of a young dancer in what seemed a truly magical place and time, In Balanchine's Company is ideal for ballet fans young and old. Rich in anecdote, insight, and humor, it offers a unique perspective on one of the twentieth century's cultural giants.

Stravinsky and Balanchine: A Journey of Invention

Igor Stravinsky and George Balanchine, among the most influential artists of the twentieth century, together created the music and movement for many ballet masterpieces. This engrossing book is the first full-length study of one of the greatest artistic collaborations in history. Drawing on extensive new research, Charles M. Joseph discusses the Stravinsky-Balanchine ballets against a rich contextual backdrop. He explores the background and psychology of the two men, the dynamics of their interactions, their personal and professional similarities and differences, and the political and historical circumstances that conditioned their work. He describes the dancers, designers, and sponsors with whom they worked. He explains the two men's approach to the creative process and the genesis of each of the collaborative ballets, demolishing much received wisdom on the subject. And he analyzes selected sections of music and dance, providing examples of Stravinsky's working sketches and other helpful illustrative materials. Engagingly written, the book will be of great interest not only to music and dance historians but also to ballet lovers everywhere.

George Balanchine: Ballet Master

George Balanchine: The Ballet Maker (Eminent Lives)

Part of the Eminent Lives Series, this biography, written by the gifted author Robert Gottlieb, will describe the life of the dynamic George Balanchine, the foremost contemporary choreographer in ballet. Timed to coincide with the 2004 centenary of the artist's birth.

The life and achievement of the great choreographer who both summed up everything that proceeded him in ballet, and extended the art form into radical yet inevitable new paths. Leaving Revolutionary Russia in 1924 (he was 20), he joined Serge Diaghilev's famous Ballets Russes, where he created his first enduring masterpiece, Apollo, cementing his lifelong collaboration with Stravinsky.

In 1933 he arrived in America to found a school and a company, but the company as we know it – The New York City Ballet – didn't emerge until 1948. Meanwhile, he made ballets wherever opportunity allowed, while choreographing Broadway shows (four for Rodgers and Hart), movies (The Goldwyn Follies), even the circus – a ballet for elephants with a score by Stravinsky. By the time of his death, in 1983, he had been recognized as a member of the triad of the greatest modern masters, alongside Picasso and Stravinsky.

Balanchine was married many times, always to outstanding ballerinas, but his truest muse always remained Terpsichore, the Muse of Dance.

But First a School

First Love

Adam and Sandra are ballet dancers, friends since they were fifteen, and now lovers. Sandra is a dancer in the corps of the New York City Ballet who has just caught George Balanchine's eye. Adam is an explosively gifted new star who has defected to the rival company, the American Ballet Theatre. They are in love, passionate and ambitious, but ill-prepared to handle the demands, seductions, and expectations that are visited on them as they come within reach of their dreams.

The novel proceeds from a true premise: Since the beginning of his career, Balanchine sought to create an opulent ballet from the fairy tale Sleeping Beauty, but never had the means and the muse come together at the same time. In First Love, Adrienne Sharp conjures in Sandra a last muse for the ailing ballet master. Balanchine promises to make Sleeping Beauty for her, and that it will be his final and greatest ballet. But Balanchine's favor comes at a price, and Sandra is forced to decide which of her loves comes first. Should she continue her tumultuous involvement with the first boy to capture her heart and succumb to his vision of their future? Or should she accept all that Balanchine offers-the fulfillment of a dream nurtured from childhood during endless hours at the barre?

A former ballet dancer herself, Adrienne Sharp's first book was the acclaimed short-story collection White Swan, Black Swan. Sharp's debut novel features the same marvelous storytelling as it revisits the vivid and rarefied world of dancers, and the sacrifices and hard bargains they make in pursuit of beauty, grace, and consummate passion.

All in the Dances: A Brief Life of George Balanchine

Balanchine's Tchaikovsky: Conversations with Balanchine on His Life, Ballet, and Music

I Remember Balanchine

Suki Schorer On Balanchine Technique

George Balanchine, world-renowned choreographer and founder of the New York City Ballet, made a tremendous impact on the history of American dance by ushering in the era of neoclassical ballet defined by spartan costumes, technical wizardry, and a new musicality. No less important was his immense impact on generations of his dancers. Mr. B demanded an incredible commitment from his dancers, both physically and personally. Many became lifelong devotees with a continuing commitment to his ideas even after his death in 1983. Suki Schorer has dedicated her life to Mr. B's method of dancing. A former ballerina with the NYCB and currently a teacher of advanced students at the School of American Ballet, the official school of the NYCB, Schorer lives, breathes, and sleeps Balanchine's teachings. Balanchine dancers are instantly recognizable, as their technique differs rather significantly from that of other schools. With a teaching style that is her own (she is known for her unrelenting enthusiasm), Schorer translates what she learned from Mr. B for her students and readers of this book. In this technical manual aimed at advanced students and their teachers, Schorer peppers the ballet instruction with stories and anecdotes of her experiences with the great choreographer. The 415 pages and 700 black-and-white photographs of five NYCB dancers demonstrating the ballet instruction are a real testament to how much one has to learn before donning a black leotard and pink tights and dancing to Stravinsky. --J.P. Cohen

A highly detailed book on Balanchine technique, written by one of his former principal dancers, now a leading teacher at the School of American Ballet.

When still a young dancer in the New York City Ballet, Suki Schorer was chosen by Balanchine to lecture, demonstrate, and teach--he recognized in her that rare dancer who not only performs superbly but can also successfully pass along what she knows to others. Now, she commits to paper the fruit of her twenty-four-year collaboration with Balanchine in a close examination of his technique for teachers, scholars, and advanced students of the ballet.

Schorer discusses the crucial work at the barre as well as center work, port de bras, pointework, jumps, partnering, and more. Her recollections of her own tutelage under Balanchine and her brilliant use of scores of his remarks about dancing and dancers lend both authority and intimacy to this extraordinary analysis of Balanchine's legacy to the future of dance.

Profusely illustrated throughout with instructional photographs featuring members of the New York City Ballet, this book will serve as an indispensable testament to Balanchine's ideas on technique and performance.



From the Preface

At Balanchine's instigation I began to teach in the early 1960s while still a member of the corps de ballet . . . One day, as I was adjusting a tendu front in a class of nine-year-olds, Balanchine walked into the studio with Lincoln Kirstein, the school's longtime president. As they left, I heard Mr. B say to Lincoln, "I knew she would get down on the floor and fix feet . . ."

I believed in Balanchine. Seeing and then dancing in his ballets made me believe in his aesthetic. Sharing the life of his company and school made me believe in his approach to work and to life in general. In my teaching, in my lectures, in my writing, and in videos on the technique, I have tried to convey not only his aesthetic, but also his beliefs about how to work, how to deal with each other, and how to live . . .

My purpose in writing this book is to record what I learned from him about ballet dancing and teaching ballet, insofar as that is possible on paper . . . By helping others deepen their understanding of Balanchine's art, I hope to contribute in a small way to the preservation of his unique and extraordinary legacy.