Chance and Circumstance: Twenty Years with Cage and Cunningham
by Carolyn Brown
from Knopf
The long-awaited memoir from one of the most celebrated modern dancers of the past fifty years: the story of her own remarkable career, of the formative years of the Merce Cunningham Dance Company, and of the two brilliant, iconoclastic, and forward-thinking artists at its center—Merce Cunningham and John Cage.
From its inception in the l950s until her departure in the l970s, Carolyn Brown was a major dancer in the Cunningham company and part of the vibrant artistic community of downtown New York City out of which it grew. She writes about embarking on her career with Cunningham at a time when he was a celebrated performer but a virtually unknown choreographer. She describes the heady exhilaration—and dire financial straits—of the company’s early days, when composer Cage was musical director and Robert Rauschenberg designed lighting, sets and costumes; and of the struggle for acceptance of their controversial, avant-garde dance. With unique insight, she explores Cunningham’s technique, choreography, and experimentation with compositional procedures influenced by Cage. And she probes the personalities of these two men: the reticent, moody, often secretive Cunningham, and the effusive, fun-loving, enthusiastic Cage.
Chance and Circumstance is an intimate chronicle of a crucial era in modern dance, and a revelation of the intersection of the worlds of art, music, dance, and theater that is Merce Cunningham’s extraordinary hallmark.
Merce Cunningham: The Modernizing of Modern Dance
by Roger Copeland
from Routledge
Merce Cunningham and the Modernizing of Modern Dance is a complete study of the life and work of this seminal choreographer/dancer. More than just a biography, Copeland explores Cunningham's life story against a backdrop of an entire century of developments in American art. Copeland traces his own experience of Cunningham's dances-from the turbulent late '60s through the experimental works of the '80s and '90s-showing how Cunningham moved dance away from the highly emotional, subjective work of Martha Graham to a return to a new kind of classicism. This book places Cunningham in the forefront of an artistic revolution, a revolution that has its parallels in music (John Cage, and the minimalist composers who followed him), painting (Jasper Johns, Robert Rauschenberg), theater (the "happenings" of the '60s), and dance itself (the Judson School of dancers). An iconclastic and highly readable analysis, this book will be enjoyed by all those interested in the development of the American arts in the 20th century.
The bride & the bachelors;: Five masters of the avant-garde. [With a new introd. and expanded text] (A Viking compass book)
Merce Cunningham: Fifty Years
from Aperture
Unlike so many biographies of dance maestros, Merce Cunningham: Fifty Years offers no litany of substance or psychological abuse. The volume, assembled by the archivist of Merce Cunningham's world-renowned U.S. company, records and analyzes Cunningham's work process and documents the provenance of his modern dance classics. Heavily spiced with biographical detail, Merce Cunningham packages the choreographer's life story in a lovely design that respects his whole body and conveys a rare sense of movement in its mass of still photos.
The bride & the bachelors: Five masters of the avant garde (A Viking Compass book)
Merce Cunningham
by Melissa Harris
from Charta
Artwork by Merce Cunningham. Edited by Germano Celant. Contributions by David Vaughn. Text by Melissa Harris.
Merce Cunningham: Dancing in Space and Time
from Da Capo Press
Other Animals: Drawings and Journals
by David Vaughan
from Aperture
Known worldwide for his remarkable, groundbreaking choreography, Merce Cunningham has a secret: he also draws. For the first time he opens a door into his fantastical animal kingdom with Aperture's publication of Other Animals. Cunningham, an obsessive observer with a colossal sense of humor, revels in nature with the same childlike vision and expressiveness that infuses his dances. Like his dances, his drawings are impressions, inventions, gestures, and interactions. Cunningham introduces us to a bird riding a turtle, a bizarre hybrid creature wearing a fashionable sweater, and an ostrich that rivals the gracefulness of his dancers. The drawings are collected in a beautifully produced, colorful volume, with selected entries from Cunningham's journals and photographs of some of his dances and their notations. These drawings offer a key to understanding how Cunningham renders his vision of the world through dance--and how his vision is translated into costuming through his collaboration with designers such as Rei Kawakubo of Comme des Gar onnes.
Cage - Cunningham - Johns: Dancers on a Plane
by Susan Sontag
from Knopf
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