Nureyev: The Life
by Julie Kavanagh
from Pantheon
Rudolf Nureyev had it all: beauty, genius, charm, passion, and sex appeal. No other dancer of our time has generated the same excitement, for both men and women, on or off the stage. With Nureyev: The Life, Julie Kavanagh shows how his intense drive and passion for dance propelled him from a poor, Tatar-peasant background to the most sophisticated circles of London, Paris, and New York. His dramatic defection to the West in l961 created a Cold War crisis and made him an instant celebrity, but this was just the beginning. Nureyev spent the rest of his life breaking barriers: reinventing male technique, “crashing the gates” of modern dance, iconoclastically updating the most hallowed classics, and making dance history by partnering England’s prima ballerina assoluta, Margot Fonteyn--a woman twice his age. He danced for almost all the major choreographers--Frederick Ashton, George Balanchine, Kenneth MacMillan, Jerome Robbins, Maurice Béjart, Roland Petit--his main motive, he claimed, for having left the Kirov. But Nureyev also made it his mission to stage Russia’s full-length masterpieces in the West. His highly personal productions of Swan Lake, The Nutcracker, Raymonda, Romeo and Juliet, and La Bayadère are the mainstays of the Paris Opéra Ballet repertory to this day. An inspirational director and teacher, Nureyev was a Diaghilev-like mentor to young protégés across the globe--from Karen Kain and Monica Mason (now directors themselves), to Sylvie Guillem, Elisabeth Platel, Laurent Hilaire and Kenneth Greve.
Sex, as much as dance, was a driving force for Nureyev. From his first secret liaison in Russia to his tempestuous relationship with the great Danish dancer Erik Bruhn, we see not only Nureyev’s notorious homosexual history unfold, but also learn of his profound effect on women--whether a Sixties wild child or Jackie Kennedy and Lee Radziwill or the aging Marlene Dietrich. Among the first victims of AIDS, Nureyev was diagnosed HIV positive in 1984 but defied the disease for nearly a decade, dancing, directing the Paris Opéra Ballet, choreographing, and even beginning a new career as a conductor. Still making plans for the future, Nureyev finally succumbed and died in January l993.
Drawing on previously undisclosed letters, diaries, home-movie footage, interviews with Nureyev’s inner circle, and her own dance background, Julie Kavanagh gives the most intimate, revealing, and dramatic picture we have ever had of this dazzling, complex figure.
Dancing on My Grave
by Gelsey Kirkland
from Berkley
Martha Graham: A Dancer's Life
by Russell Freedman
from Clarion Books
Martha Graham (1894-1991) referred to her dancers as "acrobats of God," but in truth it was she who seemed divinely inspired. Graham was a dancer, choreographer, and teacher for more than 70 years, and during that time she changed the landscape of dance forever. An unlikely candidate for a dance diva, she was shorter and more muscular than the principal ballet dancers of her time and she didn't start dancing until age 22--a flower long past her bloom in the eyes of most choreographers. Nonetheless, Graham managed to turn the dance world on its tutu with her innovative approach to movement and teaching and her clear understanding that feelings are not always graceful, but always intense.
Russell Freedman, who won the Newbery Medal in 1988 for Lincoln: A Photobiography and Newbery Honors for The Wright Brothers: How They Invented the Airplane (1992) and Eleanor Roosevelt: A Life of Discovery (1994), has once again crafted a beautiful, intriguing biography. He traces Graham's remarkable life from a childhood filled with imaginative play, to her decision to attend dance school instead of college, through her departure from the Broadway Follies to pursue her own dance style, and onward through her late life, when she continued teaching and creating distinctive performance pieces. The fascinating biography is complemented by exquisite black-and-white photographs that reveal Graham's sense of beauty and her remarkable ability to translate pure, raw emotions into expressive movement. Freedman's lovely tribute makes us fully believe Graham when she says, "I did not choose to be a dancer, I was chosen." (Young Adult/Adult) --Brangien Davis
Martha Graham, the American dancer, teacher, and choreographer, revolutionized the world of modern dance. She possessed a great gift for revealing emotion through dance, expressing beliefs and telling stories in an utterly new way. Newbery Medalist Russell Freedman documents Martha Graham's life from her birth in 1894 to her final dance performance at the age of seventy-five and continued career as a choreographer until her death in 1991. Graham's own recollections as well as those of her dancers, students, friends, and lovers reveal Graham's unwavering dedication, her extraordinary sense of artistry, and the fierce intensity that left an impression on all who saw her perform. Original research based on interviews and a remarkable collection of photographs not widely reproduced give this biography a rare and unparalleled depth. Includes notes,a bibliography, and an index.
In Balanchine's Company: A Dancer's Memoir
by Barbara Fisher
from Wesleyan
During her twelve years with Ballet Society and the New York City Ballet, Barbara Milberg worked under the direction of George Balanchine. She rose from corps de ballet to soloist, danced leading roles in Swan Lake and Illuminations, and performed in celebrated world premieres. In this observant and poignant memoir, she shares her recollections of Balanchine, his craft and his values, and lends insight into surprising aspects of his personality. Fisher gives readers a rare glimpse inside Balanchine's artistry, including vivid accounts of the makings of such important ballets as Schoenberg's Opus 34, AGON, and the world-famous Nutcracker. Told through the eyes of a young dancer in what seemed a truly magical place and time, In Balanchine's Company is ideal for ballet fans young and old. Rich in anecdote, insight, and humor, it offers a unique perspective on one of the twentieth century's cultural giants.
My Life
by Isadora Duncan
from Liveright Publishing Corporation
Fabulous is the only adjective that comes close to doing justice to Isadora Duncan (1878-1927). Her awesomely self-assured autobiography depicts a woman who while still in her teens tells an eminent theatrical manager (from whom she desperately needs a job), "I have discovered the art that has been lost for two thousand years.... I bring you the dance." In Duncan's rendering of her life, composers fling themselves at the piano and compose new music for her on the spot. Men pine for her love (the book's sexual frankness, while hardly startling today, was considered quite scandalous in 1927). And the poor mortals who can never understand her need to be free can at least applaud wildly at her concerts. Duncan and her siblings sleep in a bare Parisian attic, then dance barefoot through the Luxembourg Gardens. They travel to Greece to worship "in the Sacred Land of Hellas," where they build their very own temple. Duncan is capable of seeing the humor in her rhapsodic immersion in art, but we don't really want her to be realistic and self-deprecating like ordinary mortals. It's her divine passion, her supreme confidence in her own genius that make My Life such fun to read. --Wendy Smith
1927. An account of her life in her own words, Isadora Duncan's life is one containing the most illustrative content and value. She thought the story of her life was "fitted for the pen of a Cervantes, or Casanova." She made the purest attempt at the life of adventure. She states her art as a dancer is just an effort to express the truth of her Being in gesture and movement.
Chance and Circumstance: Twenty Years with Cage and Cunningham
by Carolyn Brown
from Knopf
The long-awaited memoir from one of the most celebrated modern dancers of the past fifty years: the story of her own remarkable career, of the formative years of the Merce Cunningham Dance Company, and of the two brilliant, iconoclastic, and forward-thinking artists at its center—Merce Cunningham and John Cage.
From its inception in the l950s until her departure in the l970s, Carolyn Brown was a major dancer in the Cunningham company and part of the vibrant artistic community of downtown New York City out of which it grew. She writes about embarking on her career with Cunningham at a time when he was a celebrated performer but a virtually unknown choreographer. She describes the heady exhilaration—and dire financial straits—of the company’s early days, when composer Cage was musical director and Robert Rauschenberg designed lighting, sets and costumes; and of the struggle for acceptance of their controversial, avant-garde dance. With unique insight, she explores Cunningham’s technique, choreography, and experimentation with compositional procedures influenced by Cage. And she probes the personalities of these two men: the reticent, moody, often secretive Cunningham, and the effusive, fun-loving, enthusiastic Cage.
Chance and Circumstance is an intimate chronicle of a crucial era in modern dance, and a revelation of the intersection of the worlds of art, music, dance, and theater that is Merce Cunningham’s extraordinary hallmark.
Alvin Ailey Dance Moves!: A New Way to Exercise
by Lise Friedman
from Harry N. Abrams
Alvin Ailey American Dance Theater is among the premier modern dance companies in the world. One of the hallmarks of an Ailey-trained dancer is a supremely versatile, strong, beautifully toned body-the result of deep immersion in an array of dance and movement techniques. Now there's a dynamic exercise book that brings those benefits home.
Alvin Ailey Dance Moves! draws from the many disciplines taught at The Ailey School-from classical ballet to West African and Indian dance to yoga. Created for people of all abilities, the program helps to improve posture and increase strength, stamina, flexibility, and muscle tone, relieve aches and pains, and support relaxation and well-being.
Featuring leading dancers from the Alvin Ailey American Dance Theater, Ailey II, and students from The Ailey School in stunning color photographs paired with lucid, step-by-step instructions, the program is easy to learn and easy to stick with. Alvin Ailey Dance Moves! is for anyone who loves dance, and for everyone who is committed to personal health and wellness.
Jose! Born to Dance: The Story of Jose Limon (Tomas Rivera Mexican-American Children's Book Award (Awards))
by Susanna Reich
from Simon & Schuster/Paula Wiseman Books
José was a boy with a song in his heart and a dance in his step. Born in Mexico in 1908, he came into the world kicking like a steer, and grew up to love to draw, play the piano, and dream. José's dreaming took him to faraway places. He dreamed of bullfighters and the sounds of the cancan dancers that he saw with his father. Dance lit a fire in José's soul.
With his heart to guide him, José left his family and went to New York to dance. He learned to flow and float and fly through space with steps like a Mexican breeze. When José danced, his spirit soared. From New York to lands afar, José Limón became known as the man who gave the world his own kind of dance.
¡OLÉ! ¡OLÉ! ¡OLÉ!
Susanna Reich's lyrical text and Raúl Colón's shimmering artwork tell the story of a boy who was determined to make a difference in the world, and did. José! Born to Dance will inspire picture book readers to follow their hearts and live their dreams.
A Touch of Innocence: A Memoir of Childhood
by Katherine Dunham
from University Of Chicago Press
Long before terms like "multiculturalism" and "world music" came into vogue, dancer, choreographer, and University of Chicago-trained anthropologist Katherine Dunham traveled to Africa, the West Indies, and South America, chronicling the spread of Africa-derived dance traditions and creating a multitude of critically acclaimed revues, including Tropics and Le Jazz Hot. Her choreography was even featured in the 1943 film Stormy Weather. But Dunham's autobiography, written in the late 1950s while she was on a sojourn in Japan, is bittersweet. She was born on June 22, 1909, in Joliet, Illinois, the daughter of a West African-Malagasy father and a light-complexioned mother of French-Canadian-Native American heritage who died when Dunham was an infant. A Touch of Innocence chronicles the first 18 years of Dunham's life: her upbringing with her brother, Albert Jr., in the white suburb of Glen Ellyn; the antagonism of her domineering father; and the experience of being raised by aunts in Chicago while her dad worked as a traveling salesman. From this piercing work, the world-famous dance icon emerges with the all-embracing allure of the everyday aristocracy that the best African American achievers radiate. --Eugene Holley Jr.
In stark prose, she tells of growing up in both black and white households and of the divisions of race and class in Chicago that become the harsh realities of her young life. A riveting narrative of one girl's struggle to transcend the painful confusions of a family and culture in turmoil, Dunham's story is full of the clarity, candor, and intelligence that lifted her above her troubled beginnings.
"A Touch of Innocence is an absorbing family chronicle written with a gift for physical detail sometimes too real for comfort. In quietly graphic prose the growing girl, the slightly older brother, the ambitious father and the kind stepmother are pictured in such human terms that when their lives get tied into harder and harder knots beyond their undoing, one can only continue to read helplessly as doom closes in upon the household."—Langston Hughes, New York Herald Tribune
"A Touch of Innocence is one of the most extraordinary life stories I have ever read . . . . The content of this book is so heartbreaking that only the strongest artistic skills can keep it from leaking out into sobbing self-pity, but Katherine Dunham's art contains it, understands it and refuses to be overwhelmed by its terrors."—Elizabeth Janeway, New York Times
"The first eighteen years of the famous dancer and choreographer's life are brought vividly to the reader in this first volume of her autobiography. She writes of what it is like to be a special, gifted young woman growing up in a racially mixed family in the American Middle West. A beautiful, touching and sometimes discomforting book."—Publishers Weekly
"As writing it is honest, searing, graphic and touching, giving us a rather heartbreaking early view of the young American Negro who was later to make a name for herself as a dancer and choreographer."—Arthur Todd, Saturday Review
Who Is Maria Tallchief? (Who Was...?)
by Catherine Gourley
from Grosset & Dunlap
Born in 1925, Maria Tallchief spent part of her childhood on an Osage reservation in Oklahoma. With the support of her family and world-renowned choreographer George Balanchine, she rose to the top of her art form to become America's first prima ballerina. Black-and-white illustrations provide visual sidebars to the history of ballet while taking readers through the life of this amazing dancer.
Illustrated by Val Paul Taylor.
+++
