Jump Into Jazz: The Basics and Beyond for Jazz Dance Students
by Minda Goodman Kraines
from McGraw-Hill Humanities/Social Sciences/Languages
In an accessible, easy-to-read style, this text provides students with well-illustrated descriptions of all basic jazz steps and movements, including valuable information on alignment, improvisation, injury prevention, nutrition and fitness, and history of jazz dance. Throughout the text, "Movement Tips" boxes help students with particularly challenging movements, and "Precaution" boxes help students utilize correct techniques to avoid injury.
The Jazz Image: Masters of Jazz Photography
by Lee Tanner
from "Harry N. Abrams, Inc."
The great improvisational American jazz musicians of the mid-20th century inspired a generation of photographers to develop a looser, moodier style of visual expression. That evocative approach is on striking display in The Jazz Image. Covering six decades of performers —from Louis Armstrong and Duke Ellington to John Coltrane and Miles Davis—this unique collection is as much a comprehensive catalogue of jazz greats as it is a salute to the photographers who captured them.
Lee Tanner, a leading authority on jazz photography, has selected works—by such noted jazz photographers as Herman Leonard, Bob Willoughby, Milt Hinton, and Bill Claxton—that are iconic, candid, explosive, and intimate. They provide a simultaneous look at jazz, photography, and America from 1935 into the 1990s.
Frankie Manning: Ambassador of Lindy Hop
by Frankie Manning
from Temple University Press
Widely known as the creator of the air-step in Lindy Hop, a choreographer and Tony award winner, Frankie Manning recalls how his first tentative steps as a teenager at Harlem's Savoy Ballroom eventually led him to a career as chief choreographer and lead dancer for Whitey's Lindy Hoppers, who appeared on Broadway stages, Hollywood films, and stages around the world. He brings the Swing Era to life with recollections of the headliners as well as the dozens of uncelebrated dancers who helped to make the Lindy an international sensation.
With collaborator, Cynthia Millman, Manning traces the evolution of swing dancing from those early days in Harlem through the post-War War II period until it was eclipsed by rock and roll, then disco. Never one to sit on the sidelines, Manning ended his 35-year hiatus from dancing during the early years of the swing revival, and he has been performing and teaching ever since. This wonderful memoir will be a revelation to the new generations of Lindy Hoppers as well as dance historians.
Jazz Dance: The Story Of American Vernacular Dance
by Marshall Stearns
from Da Capo Press
The Fosse Style
by DEBRA MCWATERS
from University Press of Florida
Even people with the barest interest in Broadway can recognize the unique, angular, sensual style of Bob Fosse. With its small gestures and isolated movements, it is frequently copied--and often misinterpreted.
Jazz Dance Today (West's Physical Activities Series)
This text provides necessary theory with an easy-to-read and understandable format that allows instructors to devote class time to dance. Please see Adams Racquetball Today for more information.
Luck's In My Corner: The Life and Music of Hot Lips Page
by Todd Bryant Weeks
from Routledge
Hot Lips Page was a seminal figure in the history of jazz trumpet. After making his name as the top trumpeter in Kansas City in the middle 1930s, he moved to New York City and performed in Harlem and on 52nd Street, headlining at the Apollo Theater and in Greenwich Village. He was a star trumpet soloist with Artie Shaw's Orchestra in 1941. He recorded with Billie Holiday and Pearl Bailey and made many early TV appearances in the 1950s. Perhaps most significantly, Page was also one of the greatest blues players of his generation. Dizzy Gillespie may have said it best, "When it comes to the blues, don't mess with Lips, nobody.not Louis, not Roy, not me."
Luigi's Jazz Warm Up: An Introduction to Jazz Style & Technique
by Luigi
from Princeton Book Company Publishers
Swinging At The Savoy The Memoir of a Jazz Dancer
by Norma Miller
from Temple University Press
Dancer, award-winning choreographer, show producer, stand-up comedienne, TV/film actress and author, Norma Miller shares her touching historical memoir of Harlem's legendary Savoy Ballroom and the phenomenal music and dance craze that "spread the power of Swing across the world like Wildfire."
It was a time when the music was Swing, and Harlem was king. Renowned as 'the world's most beautiful ballroom" and the largest, most elegant in Harlem, the Savoy was the only ballroom not segregated when it opened in 1926. The Savoy hosted the best bands and attracted the best dancers by offering the challenge of fierce competition. White people traveled uptown to learn exciting new dance styles. A dance contest winner by fourteen, Norma Miller became a member of Herbert White's world-famous Lindy Hoppers and a celebrated Savoy Ballroom Lindy Hop champion.
Swingin' at the Savoy chronicles a significant period in American cultural history and race relations, as it glorifies the popularized home of the Lindy Hop, and the birthplace of such memorable dance fads as the Big Apple, Shag, Truckin', Peckin', Susie Q, Charleston, Peabody, Black Bottom, Cake Walk, Boogie Woogie, Shimmy, and tap dancing.
Miller shares fascinating anecdotes about her youthful encounters with many of the greatest jazz legends in music history including Ella Fitzgerald, Count Basie, Benny Goodman, Billie Holiday, Artie Shaw, Duke Ellington, Ethel Waters, and even boxer Joe Louis.
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